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Yagana Changezi
--: Biography of Yagana Changezi :--


Mirza Yaas Yagana Changezi was one of the most important Urdu poets of the twentieth century and indeed among the masters of Urdu petry. Real name was Mirza Wajid Hussain (chronological name Mirza Fazl ali Baig). He was born in Azeemabad, now Patna (Bihar) in 1884 (according to some sources 1883). He was a bright student and always won scholarships but he couldn't go beyond entrance examination that he passed from Calcutta University. At an early period of his life he shifted to Matyaburj, in Calcutta, where he became the tutor of Nawab Wajid Ali Shah's grandson Mirza Muqeem and his children. But the climate of Matyaburj did not suit him and he returned to Azeemabad and later shifted to Lucknow.

In the beginning he used the pen name 'Yaas' meaning despair, and addressed himself as Yaas Azeemabadi, but changed it later on to 'Yagana' (meaning unique), and became Yagana Lackhnawi and finally Yagana Changezi. He considered himself from the Changezi mughal lineage. He was sixth in the generation of his ancestors who migrated from Iran during Mughal era. According to author of the foreword to his first poetry collection Nashtar-e-Yaas, Two brothers Hasan Ali Baig Chughtai and Murad Ali Baig Chughtai came from Iran, and became part of Mughal court, one of whom got the jagir of Azeemabad and settled there. He was in the lineage of Mirza Hasan Baig Chughtai.

He was an iconoclast and rebellious by nature. Seeing Ghalib's extreme veneration, he took to demolishing Ghalib's iconic status and that earned him hostility of his contemporaries in Lucknow and elsewhere. He was ostracized and harassed for his views and writings. Finally he was declared apostate and went through extreme kind of humiliation at the hands of people in Lucknow. The place and people he had so fondly adopted that he changed his Name from Yaas Azeemabadi to Yagana Luckhnawi. He himself writes:

Watan ko chhod kar jis sar zameen se dil lagaya tha 
Wohi abkhoon ki pyaasi hui hai Karbala ho kar

(Having left the motherland, gave heart to the place which has now become thirsty of my blood like Karbala).

He died on the night of 2 February 1956 after battling through long illness and loneliness in later years of his life. According to Najeebuddin Jamal while quoting Malik Ram, a famous Urdu Scholar says that Yagana had lost his mental balance in his later years and held Yagana's contemporaries and people of Lucknow responsible for it. Yagana himself was aware of the condition and wrote about it in one of his letters.

Yagana's first collection of poetry was Nashtar-i-Yaas, which appeared in 1914 when he was 30 years of age,. His second collection was Aayat-i-Wijdani, which was published in 1927. In 1933 came Tarana, and in the years 1934 and 1945, the second and third edition of Aayat-i-Wijdani appeared. Each edition of Aayat-i-Wijdani was a bit enlarged, in 2003 Kulliyat-i-Yagana was compiled by Pakistani scholar and writer Mushfiq Khwaja and has the opinion that Yagana or his publishers appeared to be naive regarding the art of presentation. Thus, Yagana has four collections of poems to his credit: Nishtar-i- Yaas (1914), Tarana (1933), Aayat-i-Wijdani (1927) and Ganjina (1948), besides his works in prose, including Ghalib-Shikan.

In 1946, Sajjad Zaheer persuaded Yagana to prepare his Kulliyat so that it could be published by the publication house of the Communist Party of India - Qaumi Darul Ishaat, Bombay. Yagana agreed and the Kulliiyat saw the light of the day. "This collection, however, proved to be so unwholesome that we could consider it a major tragedy. Some couplets were added and some corrected (rather changed to the extent that Yagana lost his cool and blew up)"

According to novelist, short story writer and columnist Intezar Husain, "Mushfiq Khwaja has done a great job. He has managed to pull out a poetic genius from the oblivion where he had been pushed by his hostile contemporaries. They saw to it that he was personally humiliated as a poet. His uncompromising attitude in respect of his literary opinions and his unorthodox thinking in matters of religion made their task easy. While still alive, he was consigned to the grave along with his poetry. His poetic work remained unpublished. Most of us had heard of him only as a crackpot with no respect for the greats of Urdu poetry."

Thus, Yagana was not only an important poet he was immensely gifted poetic genius, equal only to masters of poetry like Mir, Ghalib, and Iqbal, whose contemporaries could not accept his writings and ideas and he was not well taken rather misunderstood and misinterpreted by his detractors. His following couplets which are referred to as anti-religion are in no way a statement against religion and Persian and Urdu poetry is full of similar kind of verses.

Khudi ka nasha charhha, aap main raha na gaya 
Khuda banay thay Yagana, magar bana na gaya 
Sab terey siwa kafir, Aakhir iss ka matlab kya 
Sar phira dey insaan ka, Aisa khabt-e-mazhab kya

The compilation of Kulliyat-e-Yagana by Mushfiq Khwaja is considered to be an event of significant literary importance and resurrection of the great poet to his deserving status in Urdu literature.

Further reading

. Najeebuddin Jamal, Mirza Yagana: Shakhsyat Aur Fun (Mirza Yagana: Life and Art), Bahauddin Zakariya University, Multan, (thesis supervisor Dr Farman Fatehpuri). 
. Zia Azeemabadi, 1977, Mirza Yagana Changezi Hayat Aur Shaeri, Urdu Publishers Lucknow.

External links

. MIRZA YAGANA: SHAKHSYAT AUR FUN, Author(s) Najeebuddin Jamal 
. A great iconoclast By Shamim Ahmad 
. Yagana Changezi's rebirth 
. Remembering Yagana's blues 
. Mirza Yagana Changezi 
. Urdu poetry of Yagana Changezi 
. Yagana rediscovered by Intezar Husain 
. Master pieces of Urdu Rubaiyat by K C Kanda


یاس عظیم آباد ی 

 خودی کا نشہ چڑھا آپ میں رہا نہ گیا
 خدا بنے تھے یگانہ مگر بنا نہ گیا
یاس عظیم آبادی کا منفرد انداز بیان سے جانے جاتے ہیں۔ ان کا نام مرزا واجد حسین، تخلص یاس تھا۔ لیکن بعد میں یگانہؔ چینگیزی کر لیا۔ والد محترم کا نام مرزا غلام  حسین عرف پیارے تھا۔ ان کے اجداد ایران سے ہندستان آئے تھے۔ ان کا تعلق مغلیہ سلطنت سے نہیں تھا۔ انہیں عظیم آباد میں جاگیریں ملیں اور پھر وہیں سکونت اختیار کر لی
 یاس1884 ء میںمحلہ مغل پورہ میںپیدا ہوئے تھے۔ ان کی ابتدائی تعلیم مدرسے میں ہوئی۔ مدرسے سے عربی، فارسی اور اردو کی تعلیم حاصل کی۔ انہوں نے انگریزی بھی سیکھی۔ وہ لڑکپن سے ہی بڑے ذہین تھے۔ شاعرانہ مذاق رکھتے تھے۔1905 ء میں لکھنو چلے گئے۔ شروع میں بے تاب عظیم آبادی سے اصلاح لیتے تھے پھر شاد عظیم آبادی کے شاگرد ہو گئے۔
 یگانہؔ کے کلام میں تخیل کی بلندی اور ذہن کی پرواز نمایاں ہے۔ پیچیدہ سے پیچیدہ خیالات اپنے ذہن میں
لاتے ہیں اور پھر اسے عام فہم انداز میں پیش کر دیتے ہیں۔ وہ اپنے کلام میں حسن کو کسی ذات کا جامہ نہیں پہناتے۔ بلکہ حسن کو سراپا تبسم اور ایک مستقل ہستی گردانتے ہیں اس کی وجہ سے بیان میں ندرت اور اشعار میں معنویت بڑھ جاتی ہے۔ ان کی شاعری میں امنگ اور جوش کروٹیں لیتا ہوا نظر آتا ہے۔ اس میں بے باکی بھی پائی جاتی ہے وہ سب سے الگ اپنا راستہ نکالنے کی کوشش کرتے ہیں۔
 میں قفس میں بھی کسی روز نہ خاموش رہا
 مشکلوں میں بھی طبیعت کا وہی جوش رہا
 مرتے دم تک تو نہ شرمندہ ہوئے احباب سے
 لاش اٹھانے کا مگر آخری اک احساس رہ گیا
خزاں سے پہلے ہی کاش اپنی آنکھیں بند ہو جاتیں
 بہار اولیں ہوتی نگاہ واپسیں ہوتی
(بشکریہ: بسمل عظیم آبادی : شخصیت اور فن، تحریر: محمد اقبال)


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